ULTRA 67 GOLD SERIES
The ULTIMATE 1960'S COMBO ELECTRONIC ORGAN

I CROSSED A VOX, A PANTHER AND A HAMMOND: THIS IS WHAT I GOT!

WHAT: a generic 1960's Germanium transistor virtual combo organ and combo organ synth adaptation. it is not designed after any partiular instrument like the Vox or Farifisa. it is designed to be fully voice and have few effects. Reverb and other effects can be plugged in etermnally
THE POINT OF THIS: a Well-voiced mid-60's style combo organ. I am tired of not having a full-voiced organ. with rare ecxeption everthing is Hammond clone
MEANING OF THE HAME: ULTRA: As good as it can get; deluxe 1 and 2-keyboard instruments and versions with a small synth: 67: The height of the Combo Organ era: GOLD; Top of the genre; also vintage, in this case, the 1960's
VOICE ARCHETECTURE Vox style: Drawbar-controlled voice; drawbar footage couplers

ULTRA 67 GOLD DUO

CONTROLS:


1. Bass out separate channel (stereo) and light
2. Overall Volume
3. Monophonic or Duophonic Bass: Extend to grey keys and light: double-click deploys 2-octave pedalboared and sets treble voices across the full lower keyboard. Right-click allows both bass and treble voices in lower two octaves. Percussion, short-med-long. Fuzz/sharp. Mix Level Bass to Treble
4. UPPER KEYBOARD:
VOICES & FOOTAGES Drawbar coupled: name, waveform and filter CF and Res if needed (If not stated CF=100% and Res=0). My figures come from working with synthesizers, especially the Moog Opus 3 (Horn, string and Brass) Moog/Realistic MG-1 (Clarinet), Sequential Circuits Pro-One and Ensoniq SQ-80 (Tibia) and Farfisa Duo Compact (Principal, Reed; Oboe Narrow pulse)
FLUTES: Sine wave
TIBIA Triangle
PRINCIPAL: Sawtooth CF=about 30% it has some buzziness but very little
STRING Sawtooth Highpass CF=about 60% Res=About 50% sound should be thin and sizzly
HORN: Sawtooth CF about 65% Res= abOUT 30-40% A kind of muted brass sound
BRASS: Sawtooth CF=100% Res= about 30-40%
REED: Narrow Pulse a saxophone or oboe sound
CLARINET: Square wave
5. FOOTAGES: 16', 8', 5-1/3', 4', 2-2/3', 2', 1-3/5', 1-1/3', 1'

6. Level mix upper/lower

7. LOWER KEYBOARD:
VOICES; (See similar upper ones for parameters): FLUTE, HORN, CLARINET;
8. FOoTAGES: 16', 8', 5-1/3', Mix III; 4', 2-2/3', 2'

9. VIBRATO: On, Rate, Depth

10. UPPER KEYBOARD PERCUSSION: On, short-med-long, Repeat On, Rate

ULTRA 67 MOTHERSHIP!


adds a small synthesizer

DYNA-SYNTH

Think MOOG ORBIT/SATELLITE, ARP PRO SOLOIST or ROLAND SH-2000
Mono or Duophonic

1. PRESETS Two Banks Factory: 1-4; User: 1-4 patches 1-16 each bank: Pressing bank and patch stores current settings in that bank/patch
2. Filter: Cutoff, Resonence
3. Attack, Decay, Sustain, final Decay tab
4, MODULATION: Destination switch Audio, filter, both, KNOBS: Modulation On-Waveforms: Tri, square, sawtooth s/h, noise: Rate and Depth On/off Volume 5-position Octave Select switch
5 Portamento slider, Detune knob, Waveform Switches override Presets: Sine, Square, Narrow Pulse. Sawtooth
6. Ribbon pitch bender

ULTRA 67 GOLD
>
The single-keyboard version

ULTRA 67 GOLD-X!

Just Add the Dyna-Synth

ULTRA 67 SILVER

Same as the lower keyboard of the Duo with the following differences. Brass instead of Clarinet. Grey tab selects octave to bass, treble or both. Cobalt blue drawbar is selected by matching color switch to 5-1/3, 2-2/3 or both